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% % % % Je tiens à remercier vivement Monsieur le professeur Robert Bouchard d avoir accepté de diriger ma thèse et suivi de très près mon travail en m adressant encouragements, suggestions et critiques utiles. J aimerais ensuite témoigner ma profonde reconnaissance à Madame Catherine Kerbrat-Orecchioni pour les précieux conseils et renseignements qu elle m a donnés, avec bienveillance, tout au long de mes années d études en France. Je remercie infiniment l Ambassade de France en Chine qui a réalisé toutes les démarches nécessaires pour que je puisse obtenir une bourse d étude en France, à l Université Lumière-Lyon 2. Mes remerciements vont également aux chercheurs français et étrangers du Groupe de Recherche «Interactions, Corpus, Apprentissages et Représentations» : M. François Lupu, Mme Maria Olivos et Mlle Mélanie Richet qui m ont beaucoup aidé dans la préparation de ma thèse. J exprime aussi tous mes remerciements à ma femme Lianxiang, dont l amour, la compréhension et le discernement m ont beaucoup aidé dans la rédaction de cette thèse. Que tous ceux qui m ont apporté un soutien matériel ou spirituel trouvent ici l expression de ma gratitude : amis et collègues chinois et français. 4 8 H%& 3 " ( * > 6 4 6 --.; # * " ( ( +

1 % $, - * % ' " 4 8 H%& 3 " ( * > 6 4 6 --.; # * " ( (

' ( ' ( Au cours de mon expérience, longue d une vingtaine d années, d enseignement du FLE à l Université en Chine, j ai assisté à une période d évolution méthodologique de cet enseignement. L objectif de cette évolution est de satisfaire le besoin de communication en langue étrangère dans le cadre de la politique d ouverture de la Chine mise en œuvre à partir de 1978. En ce qui concerne l enseignement de la langue étrangère dans l enseignement supérieur, la transition entre enseignement traditionnel et enseignement communicatif est devenue le problème le plus souvent posé. Fondé sur une relation pédagogique forte dans laquelle l enseignant joue le rôle central, l enseignement dit traditionnel existe depuis longtemps et met l accent sur la connaissance de la langue tout en considérant que le savoir métalinguistique constitue une partie de la discipline universitaire : «savoir une langue, c est plus ou moins connaître le système à l égal du maître c est le vocabulaire et la grammaire qui représentent les objectifs immédiats» (P.Martinez, 2002 :49). L approche est très analytique et les outils privilégiés sont le manuel ou bien un autre support linguistique avec des explications en langue maternelle. Dans le même temps, l approche directe, l approche audiovisuelle, l approche communicative essaient de mettre les apprenants au centre des activités en classe, en considérant que «le langage est désormais perçu d abord comme un moyen d agir sur le réel, et les formes linguistiques ne prennent leur sens que dans des normes partagées, savoir une langue, c est savoir communiquer en connaissant la règle du jeu» (P.Martinez, 2002 :72). Face à ces deux grands courants méthodologiques, à mon poste de travail, ma première préoccupation est d essayer d élever la compétence linguistique et la compétence communicative des apprenants de FLE. L évolution méthodologique de l enseignement des langues étrangères en Chine nous conduit ces dix dernières années à réfléchir sur la relation existant entre ces deux courants. Nous trouvons qu ils sont complémentaires au niveau des activités didactiques comme les deux «courants» du Rhône et de la Saône à Lyon se dirigeant vers le même «objectif» : ce qui compte, c est de faire des progrès en langue d une part, et de savoir se servir de la langue d autre part, surtout pour les apprenants débutants en milieu universitaire. Comme l enseignement traditionnel qui prenait le lexique et la grammaire comme buts de la connaissance universitaire est loin d envisager la langue comme un instrument communicatif, on cherche une nouvelle approche plus dynamique, plus interactionnelle pour la classe de langue étrangère. L enseignant, objet central de notre recherche, joue un rôle déterminant dans tout le processus d enseignement pour favoriser l acquisition de la connaissance linguistique et gérer l interaction didactique. Dans l enseignement / apprentissage de la langue française en milieu universitaire, les apprenants et les enseignants sont confrontés à plusieurs problèmes, sur lesquels des linguistes et des sociolinguistes ont beaucoup travaillé. Pour étudier l enseignement / apprentissage de la langue étrangère, l analyse de l interaction didactique entre les apprenants et l enseignant en classe de FLE est nécessaire. Cette analyse nous permet d aborder des problémes tels que l efficacité des activités didactiques en classe, les fonctions de l enseignant dans ces activités, les comportements langagiers des apprenants et de l enseignant en classe, la nature du contrat de communication et du contrat didactique qui les lient etc. Etant donné que l interaction didactique entre l enseignant et son groupe d apprenants dans le cadre d un enseignement / apprentissage du FLE constitue l objet de notre recherche, nous 3 I ;

1 % $, - * % ' " nous intéressons aux trois grands rôles simultanés que joue tout enseignant en classe de langue : fournisseur de savoir, meneur d activités, évaluateur (cf. Dabène, 1988). Nous espérons que notre étude de ces questions donnera à nos collègues chinois ou français un nouvel éclairage sur un domaine didactique en pleine évolution mais aussi en pleine progression, celui de l enseignement du français en Chine. 3 I ;

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e) f @; A * "" # " D $! " " 8 * " " 3 " " 5 " 5 >" )! ( (* " )? A :; S @; "! " " #8! 1 # # ** # " )! A # # " ) " * ( * * ) #8 # ( 2 ) " " R ( ; B /; " # ( ;D " 5 1 5,:5 6 15 +QQ-5 ' "; 3 I ;

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