!!!! FILM!STUDIES!ASSOCIATION!OF!CANADA/!! ASSOCIATION!CANADIENNE!D ÉTUDES! CINÉMATOGRAPHIQUES!!!! 2014%FSAC%Annual%Conference%/%%

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1 FILMSTUDIESASSOCIATIONOFCANADA/ ASSOCIATIONCANADIENNED ÉTUDES CINÉMATOGRAPHIQUES 2014FSACAnnualConference/ Conférenceannuelledel ACÉC2014 May27<29Mai2014 BrockUniversity St.Catharines,Ontario,Canada Heldinconjunctionwiththe CongressoftheHumanitiesandSocialSciences Tenudanslecadredu Congrèsdesscienceshumaines BordersWithoutBoundaries/ Frontièressanslimites ProgramChair:PaulMoore(RyersonUniversity) LocalArrangementCoordinator:PeterLester(BrockUniversity)

2 8:30& 9:45 ConférenceGeraldPratley Lecture 9:45& 10:00 Break/Pause 10:00& 11:45 A1:Youth,Subcultureand Violence A2:CanadianandQuébécois FilmandMediaHistory A3:ScienceFiction A4:ExperimentalFilmand Video 11:45& 13:00 Déjeuner/Lunch 13:00& 14:45 B1:BodiesandEmbodiment B2:IssuesinAdaptation B3:TendenciesinEuropean Cinema B4:Regional/National/Global 14:45& 15:00 Break/Pause 15:00& 17:00 SpecialScreening/ Événementspécial TheTaxShelterProject 17:30& 19:30 FSACMembersBookLaunch& Reception/Lancementdes nouveauxlivresdesmembres d ACÉC 8:30& 10:00 C1:ReconsideringDocumentary Practice C2:Animation C3:Movements,Masses, Monstrosities:CinematicVisionsof SocietiesinStruggle C4:HermeneuticEncounterswith PaulThomasAnderson sthe$ Master C5:ExplorationsinUsefulCinema 10:00& 10:15 Break/Pause 10:15& 11:45 D1:HiddenWithinSight: UnearthingandUnwindingFilms LeftOutsideofHistory D2:FilmTheoryandtheStateof thefield D3:DocumentaryExplorations: histories,world,technologies D4:ScreeningEvent:$Cinema$ Palestine D5:NewPerspectivesonBioshock D6:TheBordersandBoundariesof EmergingMedia 11:45& 13:00 Déjeuner/Lunch 13:00& 14:45 E1:DesinationCanada:Film, Tourism,andModernity E2:PostcolonialCinemaand ContestedRepresentations E3:Borders,Mobilitiesand TransnationalFilm E4:HollywoodHistories E5:NewTV,NewTheories 14:45& 15:00 Break/Pause 15:00& 16:30 F1:FilmFestivals F2:RaceandGenderinHollywood Cinema F3:Love&Sex F4:BrendaLongfellow soffshore: NavigatingDocumentary Environments 16:30& 18:00 ConférenceCommémorative MartinWalshMemorialLecture 18:00& 20:00 Reception/Recéption 19:30& 22:00 CongressEvent/Événementdu Congrès Reinventingthelanguageof storytelling:ascreeningand conversation/réinventerle langagenarratif:uneprojectionet uneconversation 8:30& 11:30 FSACAnnualGeneral Meeting/Assembléegénérale annuelled ACÉC 11:30& 12:30 G1:AuthorshipandForm G2:Screening/Discussion: Voices$from$the$Visual$Volley:A eilmoneilmmakers, bituminoussandsandpublic health G3:CinemasoftheNorth G4:TheBestLaidPlans...The InternationalHeistFilm 12:30& 13:30 Déjeuner/Lunch 13:30& 15:00 H1:Space,Time,Magnitude: RethinkingKnowledgeand AffectinContemporary Documentary H2:CinematicEnvironments andtheenvironmentin Cinema H3:Masculinitiesand ContemporaryAmerican Cinema:FilmicNegotiationsof MasculinityinCrisis H4:Lesfrontièresperméables delaeictionaudiovisuellesur leweb 15:00& 15:15 Break/Pause 15:15& 16:45 I1:Ecocinema:Materiality, Ideology,Theory I2:CounterNarrativesinthe CinemaofWorldWarI I3:TheoriesofCinemainthe DigitalAge I4:BazinRevisited H5:PerformingonScreens 17:00& 19:00 President sreception/ Réceptionduprésident 17:00& 18:30 CCAKeynoteSpeaker/ ConférencièreinvitéeACC Schedule(at(a(Glance(/(Programme(en(bref May(27(mai May(28(mai May(29(mai

3 Transportation to St. Catharines and To Brock University St. Catharines Bus Terminal Bus arrivals from Toronto #16 / #116 to Brock University (via Glenridge Ave.) VIA Train Station 406 Exit for Brock University (St. David s Road West Exit) St. Catharines Transit: Bus Schedule to Brock to/from Downtown Terminal

4 Brock university Building index Index des bâtiments Legend Légende Arthur Schmon Tower *James A. Gibson Library *Matheson Learning Commons Thistle Complex *Sean O Sullivan Theatre Robert S.K. Welch Hall *David S. Howes Theatre Mackenzie Chown Complex *Dr. Charles A. Sankey Chambers *Pond Inlet *Blocks A - J Inniskillin Hall Alumni Greenhouse Taro Hall Student Alumni Centre Decew Residence Gordon and Betty Vallee Residence Alan Earp Residence Village Residence Alphie s Trough Harrison Hall Kenmore Centre Rosalind Blauer Centre Concordia Lutheran Seminary Jubilee Courtyard Scotiabank Hall South Block (Academic South) Walker Complex (Congress Centre) *Ian D. Beddis Gymnasium Arnie Lowenberger Residence East Academic 573 Glenridge Avenue Plaza Building Heritage Place Plaza Tim Hortons McDonald s International Centre The Cairns Family Health & Bioscience Research Complex Residences Résidences Congress Centre Centre du Congrès Registration Expo Inscription Expo President s Receptions Réceptions du président Big Thinking Voir grand Parking Stationnement Residence parking Stationnement des résidences Accessible parking Stationnement accessible Emergency phone Téléphone d urgence 12 P Q CONGRESS CENTRE CENTRE DU CONGRÈS Electric vehicle station Borne de recharge pour véhicules électriques Food services Services de restauration Knowledge on Tap (Beer Tent Tente Brasserie) Info kiosks Kiosques d information Bus stop Arrêt d autobus Residence check-ins Réceptions des résidences F D L ' N C S E S I G 1 A C H G A R A A R P E M E N T D U A E S C A 19 B E J 4 H F C K R 10 5 N P G D I A 11 J M G 6 N A R E A N 18 M A T E EA QV Relevant Buildings and Locations 30 - Plaza Building (Most Panel rooms) 21 - South Block/Academic South (Pratley Lecture, Walsh Lecture, AGM) 13 - Alphie s Trough J - Pond Inlet - Mackenzie Chown Building (Walsh Reception) 25 - East Academic 2 - Sean O Sullivan Theatre (Congress/NFB Event) 22 - Walker Complex / Congress Centre (Registration / President s Reception) Shuttle to Rodman Hall

5 Downtown St. Catharines Niagara Artists Centre 354 St. Paul Street Bus Terminal (#16/116 to Brock) St. Paul Street (Main Strip) Footpath to Rodman Hall (5-10 min. walk) To/From Rodman Hall (109 St. Paul Crescent) Glenridge Avenue (Primary route to Brock) Restaurants and Bars Rise Above (Vegan) 120 St. Paul Street Dani s Bistro and Wine Bar 174 St. Paul Street East Restaurant (All you can East Japanese) 129 King Street La Scala Ristorante (Italian) 9 Queen Street Pow Wow Restaurant 165 St. Paul Street Touch of India 126 St. Paul Street Wellington Court (Fine Dining) 11 Wellington Street Toi Restaurant and Tapas Bar (Vietnamese) 12 Queen Street WIND Japanese and Thai (All you can eat) 131 King Street Merchant Ale House (Brew Pub - When in doubt, meet FSACers Here) 98 St. Paul Street Patrick Sheehan s Irish Pub 101 St. Paul Street Modified from: St. Catharines Downtown [computer file]. (no date). St. Catharines, Ontario: Brock University Map, Data & GIS Library. Available: Brock University Map, Data & GIS Library Controlled Access outline/local/stcathdt.jpg (Accessed April, 2014).

6 May26mai WelcometoSt.Catharines BienvenueàSt.Catharines WelcomeGathering/Rassemblementdebienvenue18:00 20:00 NiagaraArtistsCentre 354St.PaulStreet CurrentlyinExhibition:YourFaceArrived:VideoWorkbyMikeHoolboom May27mai 8:30 9:45 ConférenceGeraldPratleyLectureAcademicSouth/SouthBlock204 KesterDyer(ConcordiaUniversity) ATransportable/TransnationalCinema:TheWapikoniMobile [Uncinématransnational/transportable:leWapikoniMobile] TheWapikoniMobilewascreatedin2004toprovideIndigenousyouthinQuébecwithaccessto filmmakingequipmentandtraining.mypresentationexamineshowthewapikonipromotes radicalre<conceptualizationsofnationhoodbyinducingshiftsinrepresentation,perceptionand communicationthatfundamentallyredefineinterculturalrelationshipsviapracticalandthematic approachestotransportation.placingemphasisonthesignificanceofthegeopoliticalandcultural contextandonquébec shistoricalambiguityasaconqueredsettlercolonialnation,itinvestigates thewaysinwhichthewapikoniinfluencesimpressionsofnationalspace,borders,andland, whetherthroughlinkstoearlierindigenouscinematicprovocations,consequentglobal interconnections,orsynergywithcontemporarypoliticalandculturalmovements. *** LeWapikoniMobileaétécrééen2004pourdonnerauxjeunesdesPremièresNationsduQuébec l accèsàdel équipementetàdelaformationenproductioncinématographique.maprésentation examinecommentlewapikonimobilefaitlapromotiondere<conceptualisationsradicalesde l identiténationaleeninitiantdeschangementsentermesdereprésentation,deperceptionetde communication,lesquelsredéfinissentlesrelationsinterculturellesaumoyend approches pratiquesetthématiquesdutransport.mettantl accentsurlasignificationducontexte géopolitiqueetculturelainsiquesurl ambiguïtéhistoriqueduquébecentantquenation colonialeconquise,macommunicationexplorecommentlewapikonipeutinfluencerles perceptionsdel espacenational,desfrontièresetduterritoire,quecesoitenétablissantdesliens avecd anciensfilmsprovocateursissusdespremièresnationset,parlasuite,avecdes productionsmondialesouensynergieavecdesmouvementspolitiquesetculturels contemporains. Note:Coffee/Tea/Juiceandsnackswillbeservedfrom8:00am

7 PanelsA:10:00 11:45 A1:Youth,SubcultureandViolencePanelChair:ScottHenderson ClaireDavis(UniversityofBritishColumbia): BreakingBritain:Hypermasculine violenceandaggressionincontemporarybritishsocialrealistcinema EllenVincer(YorkUniversity): StompTheIntimacyofViolenceinContemporaryCinema NathanielWeiner(YorkUniversity/RyersonUniversity): BritishCulturalStudiesonScreen: Pressure,Babylon,.Bloody.Kids.and.Made.in.Britain ScottHenderson(BrockUniversity): GrandTheftAdolescence:Spring.Breakers,Immediacy, andtheyouthbody A2:CanadianandQuébécoisFilmandMediaHistory PanelChair:JessicaWhitehead JessicaWhitehead(YorkUniversity): Captains.of.the.Clouds:TheStoryofCanada s HollywoodWartimeEpic LouisPelletier(UniversitédeMontréal/ConcordiaUniversity): MauriceGagnonetlecinéma oubliédelagrandenoirceur AnthonyKinik(ConcordiaUniversity): FromUrbanissimotoUrbanose:ExpandedCinemaand the Supercity atexpo67 AndrewBurke(UniversityofWinnipeg): SCTVisnowontheair :TelevisionSatireandthe ParatelevisualArchive A3:ScienceFictionPanelChair:SydneyeveMatrix TessJewel(YorkUniversity/RyersonUniversity): (Pre<)cogsintheMachine: TechnophobiaandTechno<spectacleinMinority.Report(1999)andElysium(2013) MartinZeilinger(UniversityofToronto/OCAD): TimeasVitalCurrencyandCinematic StructuringDeviceinAndrewNiccol sdystopiain.time SidneyeveMatrix(Queen suniversity): CybercinematicFolklore:Electric.Dreamsandthe InternetofThings A4:ExperimentalFilmandVideoPanelChair:MichaelZryd MelanieWilmink(UniversityofRegina): IntermedialConversations:Exploringthe SpaceofEngagementinArt/CinemaInstallations CameronMoneo(YorkUniversity): MystificationsinRecentExperimentalFoundFootageVideo MichaelZryd(YorkUniversity): Filmas(Not)aVisualArtinCanada KatherineQuanz(WilfridLaurierUniversity): PreservingEphemeralAboriginalFilmsand Videos:TheArchivalPracticesofVtape Plaza308 Plaza311 Plaza408 Plaza411

8 DÉJEUNER/LUNCH:11:45 13:00 LunchtimeMeetingofGraduateProgramDirectors PanelsB:13:00a14:45 Plaza308 B1:BodiesandEmbodiment PanelChair:AndreaK.Brooks AndreaK.Brooks(UniversityofBritishColumbia): TheActofDying:Emaciated BodiesinDallas.Buyers.Club LaurenDavine(RyersonUniversity): Smells,Sounds,FeelsLikeCobain sspirit:biography, Embodiment,andAuthenticityinLast.DaysandKurt.Cobain:.About.A.Son JakeIvanDole(GeorgiaStateUniversity): DisplacementandEmbodimentinWongKar<wai s In.The.Mood.for.Love ElvisNouemsiNjiké(UniversitédeToronto): SilencesexueletsexualisationdusilencedansLa. source.des.femmesetles.saignantes B2:IssuesinAdaptationPanelChair:RussellKilbourn RussellKilbourn(WilfridLaurierUniversity): EverythingisConstructed :Adapting Cloud.Atlas BrendaAustin<Smith(UniversityofManitoba): PossessingJames:Adaptation,Haunting,and Truffaut sthe.green.room GillianRoberts(UniversityofNottingham): AdaptingMagicRealism:VeracityandVisibilityin Life.of.PiandMidnight s.children PatrickFaubert(WilfridLaurierUniversity): ReadingtheLiterary:WarnerBros.inthe1930s B3:TendenciesinEuropeanCinema PanelChair:KassBanning GiacomoBoitani(IndependentScholar): «AverageItalians»withoutboundaries: «Italianstyle»comediesabroad,1963<1974 TaraSadeghian(RyersonUniversity/YorkUniversity): TheUseofDoorsinJeanRenoir sthe. Rules.of.the.Game ChristineAlbert(UniversitédeMontréal): Frontièresdelavraisemblanceaucinéma:ledeux. ex.machinadanslejudexdegeorgefranju Plaza308 Plaza311 Plaza408

9 B4aRegional/National/Global PanelChair:JerryWhite Plaza411 JerryWhite(DalhousieUniversity):StanBrakhageandSovietRegionalism:Reading aboutshepitkoandparajanovinrolling.stock ZakBronson(WesternUniversity): RoadsUntraveled:theFailedJourneysofNuriBilge Ceylan JaninaFalkowska(WesternUniversity): Globalorlocal:newlydiscoverednationaland regionalcinemasandnewcinemasofintimacy BrianMcIlroy(UniversityofBritishColumbia): ReassessingSidneyOlcott:Irish<Canadian filmmaker SpecialScreening/Événementspécial 15:00 17:00 AcademicSouth/SouthBlock215 TheTaxShelterProject (JonathanCulp,100min.) PresentedinconjunctionwiththeNiagaraArtistsCentre Sixyearsinthemaking,thisgroundbreakingfeaturecollagenarrativeismadeentirelyfrom over400canadianfilmsofthe1970sand1980s.theseweretheinfamous'taxshelter'years, whennation<buildingandavant<gardeculturalmovementsdukeditoutwiththevulgar capitalistambitionsofpolicyhacksandgenrepros.niagaraborn,torontobasedfilmmaker JonathanCulpre<imaginesthismuch<malignedandlittle<seenerainnarrativeform.Usinga deepdiageticcollageformat nooriginalvoiceoverorsubtitlesaugmentthefoundmaterials hisvideotellsastoryofaliensinvadingcanadaandturningpeople'severydaylivesintocinema. Slatedforafallpremiereandnationaltour,FSACpresentsthefirst<eversneakpreview screeningofthisimportantwork. Reception/Réception 17:30 19:30 FSACMembersBookLaunch&Reception Lancementdesnouveauxlivresdesmembresd ACÉC HeldinconjunctionwiththeCanadian.Journal.of.Film.Studiesandsponsoredby thecouncilforresearchinsocialsciences,facultyofsocialsciences,brockuniversity. RodmanHall 109St.PaulCrescent (Shuttlebusprovided/parnavette)

10 May28mai PanelsC:8:30a10:00 C1:ReconsideringDocumentaryPracticePanelChair:AishaJamal AishaJamal(TrentUniversity):PresentationAbstract:OntheBorderofActuality: BurhanQurbani s WarriorwithoutEnemy ThomasWaugh(ConcordiaUniversity): AgeingandRaging,DyingandDesiring:JorisIvens first<persontestamenttale.of.the.wind ChristineYork(ConcordiaUniversity):The.Moontrap:An ExecrablyMutilated English VersionofPour.la.suite.du.Monde C2:AnimationPanelChair:TroyRhoades TroyRhoades(UniversitédeMontréal): ChoreographingfortheVortical:McLaren andlambart slines.horizontal JennaStidwill(CarletonUniversity): TheAnimaker:Stop<MotionAnimation,D.I.Y.Animators andthespatialmediaworldofmaking<ofdocumentaries C3:Movements,Masses,Monstrosities:CinematicVisionsofSocietiesin StrugglePanelConvener:ScottBirdwise MatthewCroombs(UniversityofToronto): ArchaeologiesofResistance:RenéVautierandtheCounter< VisualHistoryoftheAlgerianWar TamasNagypal(YorkUniversity): MonstersoftheItalianRevolutionThatDidn thappen:the PoliticalUnconsciousofLucioFulci szombi.2 ScottBirdwise(YorkUniversity): BloodyandDarkandStrange :Monstrosity,Measure,and MagnitudeinLeviathan(2012) C4:HermeneuticEncounterswithPaulThomasAnderson sthemaster PanelConvener:TrevorMowchum ShaunGamboa(ConcordiaUniversity): EncounteringtheOther:AletheiainPaul ThomasAnderson sthe.master JulioJoseValdesJover(ConcordiaUniversity): TheSocialWorldofThe.Master TrevorMowchum(ConcordiaUniversity): LivingWithoutAMaster:AFilmForFreeSpirits Plaza308 Plaza311 Plaza408 Plaza411

11 C5:ExplorationsinUsefulCinemaPanelChair:CharlesAcland KaiaScott(ConcordiaUniversity): MovingPicturestoSoothetheManofBattle: FilmTechnologiesasTherapyintheSecondWorldWar JoelHughes(ConcordiaUniversity): FirstNationsResidentialSchoolsinCanadaandthe PedagogicalUseofFilm MatthewOgonoski(ConcordiaUniversity): OntheFrontlinesofTelevision:wartime television<promotionfilmsandtheirindustrialmanagement PanelsD:10:15 11:45 D1:HiddenWithinSight:UnearthingandUnwindingFilmsLeftOutsideof HistoryPanelConvener:KellyEgan AngelaJoosse(McGillUniversity): The.Gravediggers.from.Guadix:Hiddennessin MarieMenken'sCinematicVision KellyEgan(TrentUniversity): Collecting,Curating,Creating:AMediaArchaeologyofSpencer DouglassCrockwell smutoscopes IzabellaPruska<Oldenhof(RyersonUniversity): MAN TIME.TIME MAN.Nothingnew:the HumanistPoeticsofSorelEtrog sspiral D2:FilmTheoryandtheStateoftheFieldPanelChair:JohnHunting MasakiKondo(YorkUniversity): ScreenasVibrantMatter TimothyNicodemo(WesternUniversity): AnEmpiricalPerspective:Cognitivismandthe JourneytoRevitalizingFilmStudies JohnHunting(DawsonCollege): TroublingtheVisual:Levinas EthicsinPhotographyand Film D3:DocumentaryExplorations:Histories,Worlds,Technologies PanelConvener:ColinBurnett ColinBurnett(WashingtonUniversityinSt.Louis): TheExplorationsofanImpureModernist: RogerLeenhardt sfilmsducompas JamesCahill(UniversityofToronto): TracingtheWorld:AndréBazin,JacquesCousteau,and France scinemaofexploration MichaelBaker(UniversityofBritishColumbia): TheDigitalOpportunity: TheInteractive DocumentaryinCanada,FutureandPast D4:ScreeningEvent:CinemaPalestineTimSchwab(ConcordiaUniversity) ScreeningofnewfeaturedocumentaryCinema.PalestinetobefollowedbyQ&A. Plaza601C Plaza308 Plaza311 Plaza408 Plaza411

12 ***PleasenotePanelTime:11:00<12:00 D5:NewPerspectivesonBioshockPanelConvener:FelanParker [JointPanelwithCanadianGameStudiesAssociation] JessicaAldred(UniversitédeMontréal: Ifyouwanttokillit,killit: TheBioshock. movieandmediafranchiseauthorshipinthe post<bioshockera EbenHolmes(IndependentScholar):"IntotheEngineRoom:ApocalypseandKatabasisinKen Levine'sBioshock" FelanParker(YorkUniversity): BioshockanditsCritics D6:ROUNDTABLE:TheBordersandBoundariesofEmergingMedia/TABLE RONDE:FrontièresetlimitesdesmédiasémergentsChair:JenniferGood [Co<sponsoredbytheCanadianCommunicationAssociation] DaleBradley(BrockUniversity) MarianBredin(BrockUniversity) DerekFoster(BrockUniversity) JenniferGood(BrockUniversity) ScottHenderson(BrockUniversity) ChristieMilliken(BrockUniversity) DÉJEUNER/LUNCH11:45 13:00 PanelsE13:00 14:45 E1:PeterMorrisMemorialPanel:DestinationCanada:Film,Tourism,and ModernityPanelConvener:DominiqueBrégent<Heald DominiqueBrégent<Heald(MemorialUniversity): SublimeNiagara:Constructingthe ModernTouristthroughFilm ScottPreston(UniversityofNewBrunswick): Moose,Salmon,andPicturePostcards:New Brunswick'sGoldenAgeofTravelPromotion(1895<1965) LizCzach(UniversityofAlberta): JamesFitzpatrick straveltalks:.mighty.niagara(1943)and thetraveloguetradition E2:PostcolonialCinemaandContestedRepresentations PanelChair:MaliniGuha ItrathSyed(SimonFraserUniversity): The.Rising:.the.Ballad.of.Mangal.Pandey A postcolonialreading AboubakarSanogo(CarletonUniversity): FiguringCapitalinMedHondo smigrantimage MaliniGuha(CarletonUniversity): TheLimitsofSubversion:NewOrientalismandthecaseof CavehZahedi sthe.sheik.and.i(2012) NasrinHimada(ConcordiaUniversity): BetweenTwoThings:TheConundrumof RepresentingPalestineinFilm East Academic 307 Plaza308 Plaza311 East Academic 102

13 E3:Borders,MobilitiesandTransnationalFilmPanelChair:LeeParpart LeeParpart(YorkUniversity): Transnationaltransformation or,whatvirgin Records,theVirginMary,HarryPotter,andNetflixhavetodowithWiebkevon Carolsfeld scanada<irishco<productionstay.(2013) AllisonMacleod(UniversityofGlasgow): QueerMobilityandBorderCrossinginQueerIrish Cinema WendyDonnan(YorkUniversity): AnExcessofAffectandtheBorderMentalityintheMoving Image E4:HollywoodHistoriesPanelChair:KatherineSpring KatherineSpring(WilfridLaurierUniversity): FilmMusic,MoralRightsandthe PortentousCaseofJohn.Paine.v..ERPI JacquelynCain(YorkUniversity): OtisFergusonandThePopularAmericanCriticofthe PostwarEra AndrewdeWaard(UniversityofCalifornia,LosAngeles): MartyWeiser,ExploitationAgent: ProductPlacement,PublicityandtheTie<UpBusinessinHollywood,1940<1980 JustinJ.Morris(UniversityofToronto): BigLittleBooks:ACaseStudyintheMaterialCulture ofthecinema E5:NewTV,NewTheoriesPanelConvener:YvesPicard YvesPicard(André<Laurendeau/UniversitédeMontréal): TheThirdGoldenAgeof Television,TheSecond<DegreeStyleandTu.m aimesttu? AudreyBélanger(UniversitédeMontréal): NewPlatforms,ConvergenceCultureandtou.tv VivianeCouto(UniversitédeMontréal): Mirror,Mirror,TellMe,amIStilltheMostBeautiful? TVSeries,MoviesandPersonas PanelsF15:00 16:30 F1:FilmFestivalsPanelChair:IanRae IanRae(King suniversitycollegeatwesternuniversity)andjessicathom(western University): TheRiseandFalloftheStratfordInternationalFilmFestival IanRobinson(McGillUniversity): TheFilmFestivalEconomy:Culture,theCityandthePublic Sphere VirginieMesana(UniversityofOttawa): TheIndianDiasporaOffScreen:TheMise<en<scèneof animaginedcommunityatthenewyorkindianfilmfestival(nyiff) Plaza408 Plaza411 Plaza601C Plaza308

14 F2:RaceandGenderinHollywoodCinemaPanelChair:PhilippaGates Plaza311 PhilippaGates(WilfridLaurierUniversity): RacialPoliticsinthe House ofthe1940s: KeyeLuke schineseamericaninterninthedr..gillespieseries JustinShaw(WilfridLaurierUniversity): SexualDecoys,ImperialFeminism,andImperial DemocracyinZero.Dark.Thirty F3:Love&SexPanelChair:ChristineEvans Plaza408 ChristineEvans(UniversityofBritishColumbia): ModernLove:TheAnxietiesof Post< Sex &HomosocialDesireinCinema ElisabetBjörklund(LundUniversity): PushingtheLimits:SexualityandtheLiberalizationof FilmCensorshipinSwedeninthelate1960s F4:BrendaLongfellow soffshore:navigatingdocumentaryenvironments ScreeningExcerptsfromOffshore(2013)PanelConvener:JanineMarchessault IntroductionbyBrendaLongfellow(YorkUniversity): InteractiveDocumentaryand Plaza411 thepoliticsofexperience JanineMarchessault(YorkUniversity): LostintheMaelstromattheEndoftheWorld JessicaMulvogue(YorkUniversity): Ludicspectatorship:thepoliticalpotentialofplayinthe interactivedocumentariesoffshoreandfort.mcmoney SaaraLiinamaa(NSCADUniversity): TheOilCity,PublicSpaceandCultureunderPlanetary Urbanization KenRogers(YorkUniversity): Petromedia:Oil,history,andtheTurntoEnvironmental MediaStudies

15 ConférenceCommémorativeMartinWalshMemorialLecture16:30 18:00 BarryKeithGrant (BrockUniversity) BeyondtheTimeBarrier: ScienceFictionCinemaandtheBoundariesofClassicNarration [Au<delàdelafrontièredutemps:lecinémadescience<fictionetleslimitesdelanarrationclassique] Throughextrapolation,sciencefictionoffersusimaginaryworldsclearlydifferentfrom(evenifcontinuouswith)our own,fantasticworldsthatinevitablyreturnustheknownworldforcomparison.ifthisdynamicof cognitive estrangement, asdarkosuvinandothershavecalledit,iscentraltosciencefiction,thentheoreticallyitisanideal genreforexperimentingwithnarrativeform,whichordersthediegeticworldpresentedinanygiventext.although sciencefictionfilmshavegenerallybeendesignedintheclassicnarrativestyle,indeedmostinawaythatformalist theoristssuchasdavidbordwellwouldlabelmerelyaverageand excessivelyobvious, somesciencefictionfilms,even thosewithinthecommercialmainstream,challengeclassicnarrativeconstructioninsignificantways.moreover,theydo soinamannerthathelpsshapetheirthematicconcerns.indeed,throughoutthegenre shistorysciencefictionfilmsof differenttypeshavetakenboldformalliberties,openinguptheconventionallycomfortablespectatorialpositionof classicnarrativecinema,challengingboththeviewerandtheclassicnarrativeparadigmitself.iwilllookcloselyat severalofthesefilms,exploringtheaestheticandthematicimplicationsoftheirvariationsofclassicalnormsandwhat theysuggestaboutthesciencefictiongenreitself. *** Parl extrapolation,lascience<fictionnousproposedesmondesimaginairesquisontnettementdifférentsdunôtre (quoiqueencontinuitéaveclui),desmondesfantastiquesquinousrenvoientinévitablementàl universconnudela comparaison.sicettedynamiquede«désunioncognitive»,commel ontnomméedarkosuvinetd autres,estaucœur delascience<fiction,ceseraitdonc,enprincipe,ungenreidéalpourexpérimenterlaformenarrativerégissantlemonde diégétiqueprésentédanstouttexte.bienquelesfilmsdescience<fictionaientgénéralementétéconçusdanslestyle narratifclassique enfait,laconceptiondelaplupartd entreeuxserait,commel avancentdesthéoriciensformalistes commedavidbordwell,toutsimplementordinaireet«excessivementévidente»,certainsfilmsdescience<fiction, mêmeceuxdugenrecommercial,mettentencauselaconstructionnarrativeclassiquedemanièressignificatives.de plus,leurmanièredefairecontribueàdonnerformeràleursenjeuxthématiques.enfait,duranttoutesonhistoire,le cinémadescience<fictiondedifférentstypess estpermisdeslibertésformellesaudacieusesquiontouvertlaposition conventionnellementconfortableduspectateurdanslecinémanarratifclassique,poursejouerduspectateuretdu paradigmenarratifclassiqueensoi.j analyseraiplusieursdecesfilms,enexplorantlesimplicationsesthétiqueset thématiquesdeleursvariationssurdesnormesclassiquesainsiquecequ ellesnousdisentsurlascience<fictioncomme genre. BarryKeithGrantisProfessorofCommunication,PopularCulture,andFilmatBrockUniversityinOntario,Canada.Heistheauthor oreditorofmorethantwodozenbooks,includingauteurs.and.authorship:.a.film.reader.(2008),.film.genre:.from.iconography.to. Ideology(2007),Film.Genre.Reader.(2003),andThe.Dread.of.Difference:.Gender.and.the.Horror.Film(1996).Aswellasbeingan electedfellowoftheroyalsocietyofcanada,heistheserieseditorofthecontemporary.approaches.to.film.and.mediaseriesfor WayneStateUniversityPressandtheNew.Approaches.to.Film.GenreseriesforWiley<Blackwell. *** BarryKeithGrantestprofesseurencommunication,culturepopulaireetcinémaàlaBrockUniversity,enOntario(Canada).Ilest l auteurouledirecteurdeplusdevingtouvrages,dontauteurs.and.authorship:.a.film.reader(2008),film.genre:.from.iconography. to.ideology(2007),film.genre.reader(2003)etthe.dread.of.difference:.gender.and.the.horror.film(1996).enplusd êtremembre éludelasociétéroyaleducanada,ildirigelacollection«contemporaryapproachestofilmandmedia»chezwaynestateuniversity Pressetlacollection«NewApproachestoFilmGenre»chezWiley<Blackwell. ConférencecommémorativeMartinWalshMemorialLecture Reception/Recéption18:00 20:00 PondInlet<MackenzieChownBuilding

16 19:30 22:00SeanO SullivanTheatre CongressEvent/ÉvénementduCongrès: Reinventingthelanguageofstorytelling:Ascreeningandconversation/ Réinventerlelangagenarratif:Uneprojectionetuneconversation Theinternethastransformedthedocumentary.So,too,documentariansarereinventingthelanguageof storytellingontheweb.directorkaterinacizekgoesunderthehoodofthreedistinctmulti<awardwinning projectswithinthehighrisestoryuniversetoexploreanewkindofdocumentarypractice.highriseisan Emmy<winninginteractivedocumentaryattheNationalFilmBoardofCanadathatexploresthehuman conditionofverticallivingaroundtheglobe. Inthisscreeningandconversation,CizekisjoinedbyDeborahCowen,fromtheDepartmentofGeographyat theuniversityoftoronto,whoiscurrentlycollaboratingwithcizekandnfb shighriseteam,exploring digitalcitizenship insuburbsglobally,andkristinecollins,directorofeducationandinstitutionalmarkets atthenationalfilmboardofcanadawhoworkscloselywithcontentcreatorstoshapeproductionsfor educatorsandstudents.thisconversationhighlightsnewcollaborativewaysofworkinginthedocumentary genrethatcombinestheexpertiseofcreators,academicresearchers,communitymembers,educatorsand audiences.joinusforaninsidelookatthecreativeprocessbehindnewimmersiveonlineexperiences createdfromasocialjusticeperspective. *** L Internetatransforméledocumentaire.Delamêmemanière,lesdocumentaristesréinvententlelangage narratifsurleweb.laréalisatricekaterinacizekretraceleparcoursdetroisprojetsdistinctsplusieursfois primésdanslecadredelasériehighrisequitémoigned unepratiquedocumentaireinteractived un nouveaugenre.highriseestundocumentairemultimédiadel OfficenationaldufilmduCanadalauréatd un prixemmyquiexplorelaconditionhumainedanslespériphériesverticalesdesvillesdumondeentier. Aucoursdecetteprojectionetconversation,CizekestrejointeparDeborahCowen,duDépartementde géographiedelauniversityoftoronto,quicollaborecourammentaveccizeketl équipehighrisedel ONF àl explorationdela«citoyenneténumérique»danslesbanlieuesdumondeetparkristinecollins, directricedesmarchéséducatifetinstitutionnelàl OfficenationaldufilmduCanada,quicollabore étroitementaveclescréateursdecontenusenvuededonnerformeauxproductionsdestinéesaux éducateursetauxétudiants.cetteconversationmetenlumièredenouvellesformescollaborativesde travaillerdanslegenredocumentairequialliel expertisedecréateurs,chercheursuniversitaires,membres delacommunauté,éducateursetpublic.rejoignez<nouspourporterunregarddel intérieursurle processuscréateursous<jacentàdenouvellesexpériencesimmersivesenlignecrééesdansunsoucide justicesociale. May29mai 8:30 11:30AcademicSouth/SouthBlock204 FSACAnnualGeneralMeeting/Assembléegénéraleannuelled ACÉC Note:Coffee/Tea/Juiceandlightbreakfastwillbeserved

17 PanelsG11:30 12:30 G1:AuthorshipandFormPanelChair:KendraMagnus<Johnston FelanParker(YorkUniversity): You vegottodeliver:bioshock skenlevineas CommercialGameAuteur KendraMagnus<Johnston(UniversityofManitoba): MyLifeasaFairyTale: TheFairyTale AuthorinPopularCinema G2:ScreeningEvent: VoicesfromtheVisualVolley:Afilmonfilmmakers, bituminoussandsandpublichealth GeoTakach(MacEwanUniveristy) Thissessionpresentsascreeninganddiscussionofashortdocumentaryfilm,Voices.from.the. Visual.Volley:.Filmmakers,.Tar.Sands.and.Public.Health(2013). G3:CinemasoftheNorthPanelChair:ScottMackenzie AnnaWesterstahlStenport(UniversityofIllinoisatUrbana<Champaign): Arctic DocumentaryFilmExpeditionsinthe21 st Century ScottMacKenzie(Queen suniversity): TheCreativeTreatmentofAlterity:NanookastheNorth G4:TheBestLaidPlans TheInternationalHeistFilm PanelChair:JeanetteSloniowski JimLeach(BrockUniversity): APrizeofArms:PostwarBritishHeistFilms JeanetteSloniowski(BrockUniversity): AmericanHeistFilmsofthe1980s DÉJEUNER/LUNCH12:30 13:30 PanelsH13:30 15:00 H1:Space,Time,Magnitude:RethinkingKnowledgeandAffectin ContemporaryDocumentaryPanelConvener:MichaelMeneghetti TessTakahashi(YorkUniversity): MagnitudeandtheMassSpectatorintheExpanded FieldofDocumentary ChristieMilliken(BrockUniversity): MelodramaticHyperboleandThePoliticsofMoralityin ContemporaryEnvironmentalDocumentary MichaelMeneghetti(BrockUniversity): ActsandFrictions:StorytellingasIntercessionin ContemporaryDocumentary Plaza308 Plaza311 Plaza408 Plaza411 Plaza308

18 H2:CinematicEnvironmentsandtheEnvironmentinCinema PanelChair:GeoTakach GeoTakach(MacEwanUniversity): DancingwiththeTars:ContestingAlberta s BituminousSandsOnscreen DanBrowne(RyersonUniversity/YorkUniversity): Technologyandpoiesisinthefilmsof PeterMettler MarkRowellWallin(ThompsonRiversUniversity): HardTraveltoSacredPlaces:Miyazaki s RuinsandPostmodernSpirituality H3:MasculinitiesandContemporaryAmericanCinema:FilmicNegotiations ofmasculinityincrisispanelconveners:barrykeithgrantandterrancemcdonald TerranceMcDonald(BrockUniversity): MultiplePurchases:Matchstick.Men(2003) andthecommodificationofmasculinity JasonSwiderski(WilfridLaurierUniversity): YouCompleteMe :DyadicMasculinityinThe. Dark.Knight MandyElliot(UniversityofManitoba): Don tyou ma am me :Raceandthe (Re)AppropriationofMasculinityinPaulHaggis scrash. H4:Lesfrontièresperméablesdelafictionaudiovisuellesurleweb Présidentdupanel:JeanChateauvert RichardBégin(Université de Montréal): Le carnet à l ère de la mobilité PhilippeGauthier(HarvardUniversity): Closetothescreen,closetoreality: screenintimacy fromearlytelevisiontowebbasedaudiovisualproductions JeanChateauvert(UniversitéduQuébecàChicoutimi): The.Guild:laréponsedelafiction H5:PerformingonScreens/PerformersurécransPanelChair:JenniferWillet [JointPanelwithCanadianCommunicationAssociation] AlexaHubley(UniversityofCalgary): The Real MessageofKONY2012:An ExaminationofDocumentaryFilmTechniques PhilippaAdams(SimonFraserUniversity): ProducingFeministMediaOnScreen JenniferWillet(UniversityofWindsor): BioARTCAMP:experimentsinperformingalternative biotechnologicalfutures Plaza311 Plaza408 Plaza411 East Academic 102

19 PanelsI15:15 16:45 I1:Ecocinema:Materiality,Ideology,TheoryPanelConvener:MarioTrono ThomasPatrickPringle(McGillUniversity/ConcordiaUniversity): ToxicMedia:Visual ArchaeologiesofNorthAmericanNuclearTesting MalcolmMorton(YorkUniversity): TheFutureisWild:DougalDixonandtheImaginative PoliticsofEcology MarioTrono(MountRoyalUniversity): Sotheelementscan'tgetafoothold :GreyEcologyin StanleyKubrick sthe.shining I2:CounterNarrativesintheCinemaofWorldWarIPanelConvener:LizClarke PeterMersereau(UniversityofToronto): FromWartoPeace :RethinkingthePossible FuturesofGermanCinemaaftertheFirstWorldWar LizClarke(UniversityofCalifornia,SantaCruz): WomenScreenwritersandtheFilmsofWorld WarI SethFeldman(YorkUniversity): TheKidWhoCouldn tmiss: Documentary,Iconographyand MemoryUpintheAir I3:TheoriesofCinemaintheDigitalAge PanelConveners:AndersBergstromandMichaelMcCleary AndersBergstrom(WilfridLaurierUniversity): Upstream.Color,DigitalFilmmaking,andthe AestheticsofEpistemologicalCollapse DavidRichler(CarletonUniversity): Cinema,Realism,andtheWorldAccordingtoJia Zhangke MichaelMcCleary(WilfridLaurierUniversity): DigitalCinema,FromHollywoodtoBeyond: DestabilizingtheOntologyofVisualEffectsinContemporaryCinema I4:BazinRevisitedPanelChair:KatharineRennebohm KatherineRennebohm(HarvardUniversity): AWorldWeHaveForgottenHowto Love:BazanianEthicsandCinematicOntology SaraSwain(YorkUniversity): GlimmersofAnimalWorlds:AndréBazinandtheOntologyof AmateurAnimalVideos SarahO Brien(BrockUniversity/UniversityofToronto): CantheFirst<PersonBePosthuman? President sreception/réceptionduprésident 17:00 19:00 CongressCentre(WalkerComplex) Plaza308 Plaza311 Plaza408 Plaza411

20 CanadianCommunicationAssociation/AssociationCanadiennedeCommunication Keynotespeaker/Conférencièreinvitée: JodiDean(HobartandWilliamSmithColleges,USA)"CommunicativeCapitalismandClass Struggle"/ Capitalismecommunicationneletluttedesclasses 17:00a18:30(WelchHall,DavisS.HowesTheatre) Abstract:Capitalismhassubsumedtheentireworld.Communicationistheformofthissubsumption,the vehicleforcapitalism sintensificationandexpansion.oursettingisthusoneoftheconvergenceof communicationandcapitalisminaformationthatincitesvoice,engagement,andparticipationonlyto capturethemintheaffectivenetworksofmasspersonalizedmedia.butiftheentirecommunicativefieldisa domainofproduction,whathappenstoexploitationandclassstruggle?howarethesetobeconceived?after summarizingtheideaofnetworkexploitation(exploitationasrootedinthebasicstructureofcomplex networkswherebylinksfollowapowerlawdistribution),thistalkwillarguethatthedigitaldividebe thoughtasaclassdivide.previousapproachestothedigitaldivideasrootedintheprivilegeofaccess concealedthewaysthatgainingaccesstotheinternetwaslikebecomingwaged.currentemphasesonsocial mediaoccludethewaysthatnetworksenforceclassrelations:thereisnosocialmedia;thereisonlyclass media.and,ongoingtreatmentofknowledgeworkersandthecognitariattooeasilyadoptssiliconvalley entrepreneurialideology,failingtograsptherealclassdivisionwithinknowledgework.whencurrent politicalstrugglesarerecognizedasstrugglesoftheknowledgeclass,notonlydoesthisdivisionappearbut sodothecontradictionsandlimitsofcommunicativecapitalism. *** Résumé:Lecapitalismeaenglobélemondeentier.Lacommunicationestlaformequeprendcetteaction englobante,levéhiculedel intensificationetdel expansionducapitalisme.notrecontexteestdoncceluide laconvergencedelacommunicationetducapitalismedansuneformationquiencouragelaparole, l engagementetlaparticipation,pourensuitelesenfermerdanslesréseauxaffectifsdesmédiasdemasse personnalisés.maissitoutlechampcommunicationnelestundomainedeproduction,qu advient<ilde l exploitationetdelaluttedesclasses?commentdoivent<ellesêtreconsidérées?aprèsavoirrésumél idée del exploitationenréseau(uneexploitationancréedanslastructurefondamentalederéseauxcomplexes danslecadredesquelsleslienssuiventunedistributiondelaloidepuissance),cetteprésentation soutiendraquelefossénumériquedoitêtrepensécommeunfossédesclasses.lesfaçonsprécédentes d aborderlefossénumérique,quileconsidéraientcommeétantancrédansleprivilègedel accès, dissimulaientlesmanièresparlesquellesaccéderàinternets apparentaitàdevenirsalariéousalariée. L insistanceactuellementmisesurlesmédiassociauxobstruelesmanièresparlesquelleslesréseaux renforcentlesrelationsdeclasse:iln yapasdemédiassociaux,iln yaquedesmédiasdeclasse.deplus,le traitementconstantréservéauxtravailleursdusavoiretaucognitariatadoptetropfacilementl idéologie entrepreneurialedelasiliconvalley,sanscomprendreladivisionréelledesclassesauseindutravaildu savoir.lorsquelesluttespolitiquesactuellessontreconnuescommeétantdesluttesdelaclassedusavoir, nonseulementcettedivisionapparaît<elle,maisapparaissentaussilescontradictionsetleslimitesdu capitalismecommunicationnel. Biographie:JodiDeanesttitulairedelachaireDonaldR.Harter'39surleshumanitésetlessciencessociales auxcollègeshobartetwilliamsmithàgeneva(n.y.).elleaécritoudirigélapublicationdeonzelivres,dont Publicity s.secret:.how.technoculture.capitalizes.on.democracy;democracy.and.other.neoliberal.fantasies; Blog.TheoryetThe.Communist.Horizon. Biography:JodiDeanistheDonaldR.Harter'39ProfessorofHumanitiesandSocialSciencesatHobartand WilliamSmithCollegesinGeneva,NY.Sheistheauthororeditorofelevenbooks,including:Publicity's. Secret:.How.Technoculture.Capitalizes.on.Democracy;Democracy.and.Other.Neoliberal.Fantasies;Blog.Theory; andthe.communist.horizon.